By Edward Timms
How was once it attainable for a well-educated state to aid a regime that made it against the law to imagine for your self? This used to be the most important query for the Stuttgart-based writer Anna Haag (1888–1982), the democratic feminist whose anti-Nazi diaries are analysed during this booklet. Like Victor Klemperer, she deconstructed German political propaganda day-to-day, giving her critique a gendered concentration via hard the ethos of masculinity that sustained the Nazi regime. This pioneering examine translates her diaries, secretly written in twenty notebooks now preserved on the Stuttgart urban Archive, as a desirable resource for the learn of way of life within the 3rd Reich. the hole sections cartoon the paradigms that formed Haag’s creativity, analysing the impression of the 1st global conflict and the feminist and pacifist commitments that inspired her literary and journalistic writings. broad quotations from the diaries are supplied, with English translations, to demonstrate her responses to the cataclysms that the increase of Hitler, from the army conquests and Jewish deportations to the devastation of strategic bombing. The booklet concludes with a bankruptcy that strains the hyperlinks among Haag’s critique of army tyranny and her contribution to post-war reconstruction.
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Additional info for Anna Haag and her Secret Diary of the Second World War: A Democratic German Feminist’s Response to the Catastrophe of National Socialism
Are omitted). 59. 20 Chapter 1 Given her personal charm and lively imagination, it is hardly surprising that Anna attracted gifted admirers, notably Albert Haag, one of her brother Emil’s fellow students. Albert was the son of a master saddler, a skilled craftsman who also encouraged his children to obtain the best possible education. This brilliant student was also musically gifted, and none of her other admirers could match his ardour and attentiveness. The highlight of their courtship was a performance of Wagner’s Lohengrin which they attended at the opera-house in Stuttgart, duly chaperoned by Emil.
It was the screams of dying soldiers that most deeply imprinted themselves on his mind, not the short-lived military advances. Meanwhile Anna remained at her mother’s house, giving birth in spring 1915 to Sigrid, their second child. 1 Anna was acutely aware that the telegram might have been addressed to her, announcing Albert’s death, but her account of this episode betrays little emotion. If she was keeping a diary at that date, it has not survived. To gauge the turmoil of those early months of war, we consequently have to turn to the diaries of others.
Looking beyond the confines of Swabia, he obtained a job at a privately run boarding school far from home – in Silesia. 60–70: ‘Lohengrin’. 17. 14 For an account of how Germany became ‘a dominant power intellectually’ (together with statistics about literacy), see Peter Watson, The German Genius: Europe’s Third Renaissance, the Second Scientific Revolution, and the Twentieth Century, London: Simon & Schuster, 2010, esp. 28–37 (Germany’s Cultural ‘Sonderweg’) and 828–30 (The Educated Middle Class).
Anna Haag and her Secret Diary of the Second World War: A Democratic German Feminist’s Response to the Catastrophe of National Socialism by Edward Timms