Read e-book online Archie's Double Digest 137 (November 2002) PDF

By Sid Jacobson, Richard H. Goldwater, Victor Gorelick, Nelson Ribiero

Archie's Double Digest #137 - November 2002

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Extra info for Archie's Double Digest 137 (November 2002)

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Texas Hold’em: Setup and Basic Play 9                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        The Role of the Dealer                                                                                                                                                                                                                                                                                                                                                                              10 Play Poker Like the Pros The Role of the Button: Whose Deal Is It?

Texas Hold’em: Setup and Basic Play 9                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        The Role of the Dealer                                                                                                                                                                                                                                                                                                                                                                              10 Play Poker Like the Pros The Role of the Button: Whose Deal Is It?

Texas Hold’em: Setup and Basic Play 9                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        The Role of the Dealer                                                                                                                                                                                                                                                                                                                                                                              10 Play Poker Like the Pros The Role of the Button: Whose Deal Is It?

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Archie's Double Digest 137 (November 2002) by Sid Jacobson, Richard H. Goldwater, Victor Gorelick, Nelson Ribiero


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